Student life

WCVB spotlights MIT course 2.984: The Art and Science of Time Travel, taught by Prof. Seth Llyod and lecturer Michele Reilly, which explores time travel and other physical paradoxes. “The course idea came from both knowing science fiction authors and understanding what physicists can do when they try to think in an artistic way,” says Reilly. 

As part of MIT’s Artfinity festival - a new festival of the arts at MIT featuring 80 free performing and visual arts events, celebrating creativity and community – this month’s After Dark event on Thursday, March 13^th at the MIT Museum will be free and open to the public, reports Marianna Orozco for The Boston Globe. Attendees will be able to enjoy “a night of activities, including a ‘Flash Portrait’ drawing and textile design, as well as live DJ sets, open exhibits by faculty, and a talk from Behnaz Farahi, the interdisciplinary designer behind ‘Gaze to the Stars,’ which has brought the MIT dome to life,” explains Orozco. 

MIT’s Artfinity festival kicked off with a performance of “SONIC JUBILANCE” at the newly opened Edward and Joyce Linde Music Building, reports Maddie Browning for WBUR. The campus-wide festival, which runs through May 2, is open to the public and features student, faculty and staff participation in “concerts, augmented reality experiences, exhibitions, films and more,” writes Browning. Artfinity is an opportunity "to show that the arts are very important and very central to the lives of people at MIT,” said Prof. Marcus Thompson, festival co-lead.

MIT’s Artfinity Festival kicks off on Saturday, February 15^th with a celebration of the new Edward and Joyce Linde Music Building and Thomas Tull Concert Hall featuring a free afternoon open house and evening concert, writes A.Z. Madonna for The Boston Globe. “What this building brings to us is support for performance of all different types of music, whether it’s classical or jazz or world music, and then the ability to support various functions with our students,” says Keeril Makan, associate dean of SHASS. 

Cambridge Day reporter Susan Saccoccia spotlights the new Edward and Joyce Linde Music Building, which opens to the public on Saturday, February 15^th, with a celebratory concert called “Sonic Jubilance,” the start of a “monthslong festival of 80 events across the campus, free and open to the public.” Prof. Marcus Thompson notes: “The extent of art-making on the MIT campus is equal to that of a major city. It’s a miracle that it’s all right here, by people in science and technology who are absorbed in creating a new world and who also value the past, present and future of music and the arts.”

Boston Globe reporter Malcom Gay spotlights the new Edward and Joyce Linde Music Building, a “new hub for music instruction and performance” for MIT’s 30 on-campus ensembles and more than 1,500 students enrolled in music classes each academic year. Gay notes that: “The more than 35,000-square-foot structure offers a variety of classroom, performance, rehearsal, and studio spaces.” He adds that there will be “more than 25 concerts at Tull Concert Hall that are open to the public this spring.”

Arthur Musah '04, MEng '05 and Philip Abel '15 speak with GBH “Under The Radar” host Callie Crossley about Musah’s documentary, “Brief Tender Light,” which follows the life of four African-born students on their personal and academic experiences at MIT. “The takeaway for me is about how we all belong in all spaces all around the world,” says Musah. “For me, the film has always been about celebrating the lives of African students and Black people at institutions like MIT.”

Chronicle of Higher Ed reporter Karin Fischer spotlights “A Brief Tender Light,” a documentary created by Arthur Musah '04, MEng '05 that follows four African undergraduates at MIT on their journey as international students studying and working in Boston. Musah’s “dream scenario is that such screenings could facilitate dialogue between groups represented in the documentary, such as international and African students, students of color, and gay and lesbian students,” writes Fischer.

“Brief Tender Light,” a documentary by Arthur Musah '04, MEng '05, spotlights four African-born MIT students and their experiences with adapting to the culture and challenges in and out of the classroom, reports Celina Colby for The Bay State Banner. “The story of international students, or specifically African students, in the U.S. hadn’t really been told,” says Musah. “Stats that I’ve learned more recently say there are about a million international students in any given year studying in the U.S., of which about 40,000 are African. That seems like a substantial portion of the fabric of American society.”

Arthur Musah '04, MEng '05 and graduate student Philip Abel Adama speak with WBUR host Tiziana Dearing about Musah’s documentary, “Brief Tender Light,” which follows the lives of four African-born MIT students, who “were driven to study in the U.S. and create change at home.” Musah explains, “I made this film because I felt having gone through the experience of studying in the U.S. and gone through a transformative experience, I felt that there were questions that were unanswered that I didn’t know I would have after the experience and so it was a way to go back and answer those questions or look for answers.” 

Graduate student Kaylee Cunningham speaks with CBS Boston about her work using social media to help educate and inform the public about nuclear energy. Cunningham, who is known as Ms. Nuclear Energy on TikTok, recalls how as a child she was involved in musical theater, a talent she has now combined with her research interests as an engineer. She adds that she also hopes her platform inspires more women to pursue STEM careers. “You don't have to look like the stereotypical engineer,” Cunningham emphasizes.

Arthur Musah '04, MEng '05 speaks with Boston Globe reporter Kajsa Kedefors about his new documentary, “Brief Tender Light,” which follows the lives of several African-born students from their first year at MIT through graduation and to their first jobs. Musah, “weaves in his own reflections in voice-overs throughout the film, exploring what it means to be an international African student at an elite American institution,” explains Kedefors. “He speaks to the pressure the students in the film share from back home: the idea that education is valuable and rare — that they should bring back what they learned to better the community.”

Latinx students were celebrated at the first MIT Latinx graduation celebration at the Media Lab on May 31, reports Arrman Kyaw for Diverse Issues in Higher Education. “It was an honor to plan the first Institute-wide Latinx graduation ceremony, a process that began over a year ago with the mission to recognize not only the academic achievements of our community but also this large milestone within our culture and heritage,” says Isabella Salinas ’23, president of the Latino Cultural Center.

Graduate student Karenna Groff ‘22 has been named NCAA Woman of the Year, an honor presented to a graduating female student-athlete who has distinguished herself in athletics, academics, leadership and community service, reports Matt Doherty for The Boston Globe. “I think the award is the first recognition I’ve gotten that looks into who I am and who I want to be,” says Groff. “I think it will help me frame the direction towards what I want the next chapter in my life to look like.”

Graduate student Karenna Groff ’22 speaks with CBS Boston reporter Mike UVA about her academic and athletic accomplishments. “Groff become just the sixth Division III student-athlete ever to be recognized as the NCAA Woman of the Year,” says Uva. “An honor that celebrates excellence both on and off the field for all divisions.”